
It is argued by some that people who habitually swear lack ability with language, in particular with adjectives, and equally that comedy which relies on profanity lacks real substance, but I disagree. There is something quite splendid about vulgarity and the Perth Wold West Comedy Festival’s opening gala night was evidence of this very special form of art. In fact crude gags, swearing and general coarseness gave the gala night an edge that had the audience baying for more.
I was reminded of the time we saw Billy Connolly with work colleagues and one insisted her twelve year old daughter come with us. We cautioned against it, suggesting that a live performance by the irrepressible and bad-mouthed Scot might not be suitable for an impressionable teenager, and then watched the daughter during a fifteen minutes portion of the performance which dealt with oral sex in a particularly graphic fashion. Daughter was doubled up with laughter throughout while the mother sat stony-faced. The following Monday her only comment was that Mr Connolly was very rude, and who could argue. We simply asked how her twelve-year old came to understood so much of the performance.
It must be hard work being a stand up comedian. Far from the gala night glamour and a packed house at the Astor Theatre in the leafy suburb of Mt Lawley, we ventured into darkest Northbridge (the home of glassings, the latest Australian sport) to the Brass Monkey pub to watch a young comedian who plays a guitar and writes cleverly acerbic songs about ordinary life. It was evident this wasn’t going to be a packed show; a few tables up front for the early arrivals and special guests and a dozen rows of chairs in an upstairs bar and at the allotted start time, nineteen people not counting the sound man, and that’s one thing that makes it so hard. The tables were filled but only one row of chairs. It must be difficult for an eager young man to bound onto a stage and enthusiastically work the crowd when playing to an eighth-filled room, particularly when it turns out that the largest group present were family. And that’s where it got even tougher. Most of the show was of observations about growing up with a stepfather and mother, family conflicts, wicked thoughts (mainly about the stepfather) and the mundane actions of life. The show itself was competent without being overly engaging, so we entertained ourselves watching the family and that in itself was worth the entry fee. Mum was, as would be expected, delighted that her pride and joy was on stage oblivious that there were only ten people there besides family, the sister cackled with delight at the naughty bits and stepdad just looked plainly unimpressed, and even less so at every crack or observation made at his expense. It was as well the last song was about flatting because stepdad did get a laugh about the lad's unhappiness at flatmates leaving pubic hairs on the soap in the shower, ginger ones at that. We laughed too.
An unintended comedian making waves nationally is our old friend Tony Abbott, the leader of the Liberal Party, the Australian equivalent of the New Zealand’s National Party. On television the other night, he told an interviewer that the only time people can be sure he is telling the “gospel truth” is when he is working from a carefully prepared script. He explained, in effect saying that he gets carried away in the heat of the moment in some situations and exaggerates or goes further than intended. During the interview he was explaining the contradiction between saying there would be no new taxes if his party was elected to government at the next general election, but that there would be a new levy on employers to pay for a proposed quite generous new parental leave scheme (something incidentally he announced on the hoof much to the despair of his colleagues). The West Australian described Mr Abbott’s interview as “shambolic” but, curiously, some commentators have described him as honest for telling the truth when he says he doesn’t always tell the truth. Figure that one out.